Petrolicious, the creator of quality, original films and articles for classic car enthusiasts, has released its latest video, featuring the amazing miniature world of the Amalgam Collection.
Petrolicious celebrates the inventions, the personalities, and the aesthetics that ignite a collective lust for great automotive machines, and it seeks to inform, entertain, and inspire its community of aficionados and pique the interest of those who have been missing out.
Today, Petrolicious takes up the story…
Attention to detail threads through everything we build and everything we care about. Sometimes it is survival. Get it wrong and people do not come home. Engines, bridges, airplanes, race cars: their margin for error is measured in lives. Other times detail is not about necessity at all, but about love. A polished bolt head tucked away, a stitch sewn straight, a wooden surface sanded smooth. Small gestures that say you were there, that you cared, even if no one ever sees it.
Passion is where Amalgam Collection works. Founder Sandy Copeman put it plainly: “Car design right from the beginning has majorly been about the design, the appearance, the experience of the car, and we’re capturing that in a model.”
Capturing means more than shrink-wrapping a shape. “We make, immodestly, the finest model cars in the world,” Copeman says. “Many of the models that we make are bespoke for owners, and those are incredibly personal to them.” To be personal, they must be exact. A Ferrari 499P or Maserati 250F might be represented by more than 2,000 separate parts, each researched, modeled, painted, and finished until the eye stops asking questions.
For modern cars, the process begins with CAD files direct from the manufacturers. “That’s a really major advantage,” Copeman explains. “We’ve got accurate, specific data for the car. We may have to choose a race, or we might have to choose a specification that we want to model for a road car.” For classics, Amalgam goes further. The team scans real cars, digs through archives, and collects period photography until they have a complete picture. From that mass of information, they create their own digital model of every component.
From there, the artistry begins. Wheels are CNC-machined from aluminum. Paints are mixed to the same specifications used at the factory. Carbon fiber and wood finishes are recreated with special printing so the patterns look right at scale. Leather cannot simply be cut down, because the grain balloons out of proportion. “If you were to make a wide scale seat out of leather, it looked like it had giant elephant sized pores in the skin and the grain is just completely over scale,” Copeman says. “It looks more like a Barbie doll effect than a fine model.”
Amalgam has been at it since the mid-1990s, starting with Jordan Grand Prix and Williams before striking up a lasting partnership with Ferrari in 1999. That relationship has grown to the point where, as Copeman puts it, “We now make every road car that Ferrari produces. The most powerful object that they can offer a customer other than the car itself is a really beautiful model of the car.”
The company now works out of Bristol in the UK, Hungary, and China, with a staff of artisans who understand that scale does not mean shortcut. A model can take months to build, and the result is not a toy but a precise record of a machine in time. The attention to detail is what gives these models their weight. It is not about scale or novelty, but about capturing the spirit of the car so that it feels whole even when it is eight times smaller.
