Skip to content
 
Huracan STO Main Image

By Jordan Aquistapace –  August 17, 2022

Check The Spec: 2022 Lamborghini HuracƔn STO Finished In ...

With black and yellow being the perfect combo, this Lamborghini HuracĆ”n STO stylishly sticks out on any road or race track. Although Automobili Lamborghini unleashes its Italian bull performance through its lineup of supercars and hypercars, its Squadra Corse motorsport division works at harnessing that power for track purposes. The brand specializes in factory on-track opportunities for its very best clientele, which provides a track-only Lamborghini GT race car for a customer race series. With a high-dollar price tag on starting your own race team, Lamborghini went back to the drawing board to create a road-legal chassis with a track-like look and feel. The HuracĆ”n STO is the result of Lamborghini’s innovative engineering, featuring a GT-style setup made to take on all aspects of a daily commuter car. The knowledgeable team at Lamborghini Dallas is proud to showcase this 2022 Lamborghini HuracĆ”n STO as part of its growing inventory of new and pre-owned supercars. VIEW PRICE AND LISTING Finished In Nero Notics With Giallo Taurus Accents duPont REGISTRY The HuracĆ”n STO continues its rise as one of the most popular releases of the year, with an array of head-turning examples rolling off the production line in Italy. The one-of-a-kind configuration process gives owners complete control when spec’ing out a build, incorporating an extensive palette of colors, materials, and other additional options. This Lamborghini HuracĆ”n STO presents itself in a stealthy Nero Notics exterior finish with Giallo Taurus highlights that accentuate the GT-inspired hood, bumpers, side skirts, roof scoop, and rear wing. A matching set of lightweight sport wheels and carbon ceramic brakes make this Lamborghini track-ready right off the showroom floor. Nero Cosmus Alcantara Interior With Giallo Taurus Highlights duPont REGISTRY The motorsport-driven exterior design projects the same characteristics of Nero Cosmus (black) and Giallo Taurus (yellow) throughout its driver-oriented cabin. A pair of carbon fiber bucket seats sport vibrant yellow contrast stitching, with the Lamborghini emblem and STO logo proudly stitched into each seat. A multifunctional sports steering wheel, advanced infotainment system, and easy-to-use driving dynamics make this the perfect everyday Lamborghini for any collector or enthusiast. 5.2L Naturally-Aspirated V10 (631hp/417ft-lb) duPont REGISTRY Powering the race-inspired HuracĆ”n STO is Automobili Lamborghini’s bulletproof 5.2-Liter Naturally-Aspirated V10 engine, responsible for delivering over 631 horsepower and 417 foot-pounds of torque to the rear wheels. A sophisticated 7-speed dual-clutch transmission quickly shifts the Italian supercar from 0-60mph in only 3.0-seconds, with an astonishing top speed of 192mph. This 2022 Lamborghini HuracĆ”n STO from Lamborghini Dallas is currently available through duPont REGISTRY for $519,999. View all of the current inventory from Lamborghini Dallas on duPont REGISTRY by clicking on the link below. Check back into duPont REGISTRY for more upcoming luxury lifestyle and supercar news. VIEW LAMBORGHINI DALLAS INVENTORY duPont REGISTRY

1954 Ferrari 625 F11271504

By Edward Jones –  August 17, 2022

RM Sotheby’s Monterey: 1954 Ferrari 625 F1

Presented by RM Sotheby's. ā€œCICCIOā€ ASCARI AND THE RISE OF FORMULA TWO 1952 and 1953 were watershed years for Scuderia Ferrari, notable not only for what the team was able to achieve, but also the surrounding circumstances. By the start of the 1952 season, the once-formidable Alfa Corse team had faded, and the British-based BRM remained the only credible challenge to an expected romp by Maranello. When BRM withdrew from competition early in the season, the FIA had little choice but to cancel Formula One altogether for the foreseeable future. Setting its sights on a new formula to commence in 1954, the FIA elevated Formula Two as the determining series for the World Drivers’ Championship for the years 1952 and 1953, making Formula Two the highest level of racing for those two years. Enzo Ferrari was well prepared for this eventuality, for by late 1951 Maranello was already testing a new naturally aspirated 2-liter inline-four-cylinder engine in monoposto form, with very promising results. Chief engineer Aurelio Lampredi had steadily advanced the concepts of simplicity and reliability, and his latest engine was a masterful study in these qualities, featuring a 65% reduction in moving parts and weighing 92.8 pounds less than the outgoing Colombo-designed Tipo 166 V-12. Featuring dry-sump lubrication, the new Tipo 500 engine was ignited by dual sparkplugs powered by twin magnetos and fed by two twin-choke Weber carburetors, combining to develop an impressive 170 horsepower—an improvement of 15 horsepower over the outgoing Tipo 166. In short, the inline-four was lighter, more reliable, and more powerful than its predecessor. The new 500 engine was mated to a four-speed transaxle and dropped into an equally simplified and reliable short-wheelbase chassis of 2,160 millimeters, equipped with independent double-wishbone front suspension, a De Dion rear axle, and capable drum brakes, all clothed in minimalist monoposto coachwork. Weighing a svelte 1,235 pounds, the new 500 F2 had a top speed of over 149 mph, making it a clear favorite among Formula Two competitors. The beloved Alberto ā€œCiccioā€ Ascari, one of the day’s most popular drivers, led a team consisting of Nino Farina, Piero Taruffi, and Luigi Villoresi, and during the next two years they established a dominance that has rarely been matched. During the 1952 and 1953 seasons the 500 F2 won an astounding 30 out of 33 races in which it participated, and Ascari became Ferrari’s first Drivers’ Champion—actually becoming a back-to-back Champion—while Farina and Taruffi finished 2nd and 3rd in Championship driver’s points in 1952. Maranello built six of these remarkable factory team cars during the model’s two-year reign, all stamped with three-digit numbers ranging from 001 to 006. Midway through the first season the company began offering privateer versions to preferred racing clients, and five such cars were built with standard even-numbered competition chassis numbers. Referred to as ā€œstarletā€ cars in Italy, these privateer examples performed nearly as well as the factory cars, exemplified by Rudi Fischer’s 4th-place standing in 1952 Championship driver’s points. Within a couple years the factory had upgraded most of the 500 F2 examples with 2.5-liter engines, effectively rebranding them as 625 F1 monopostos, and these cars joined the new 553 Squalo in 1954 Formula One competition (only to be outclassed by the sensational Juan Manuel Fangio, who drove Maseratis and the revolutionary Mercedes-Benz W196 to the 1954 Drivers’ Championship). In addition to being the cornerstone of two of the Scuderia’s most successful years ever, the 500 F2/625 F1 examples were the forerunners of the inline-four-cylinder sports cars that performed so admirably during the mid-1950s, including the 500 Mondial, the 750 Monza, and the 500 and 625 TRC Spiders. CHASSIS NUMBER 0540 This incredibly rare early Formula One car began life as chassis number 0208F, the fourth of the five starlet 500 F2 examples. Purchased new by the future preferred client and Belgian marque distributor Jacques Swaters, the car was the first Ferrari ever raced by Ecurie Francorchamps. The 500 was campaigned in 17 events during 1952 and 1953, twice finishing as high as 2nd place (at the 1953 Helsinki Grand Prix and the 1953 GP Frontiers) and notching an impressive overall victory at the 1953 AVUS Grand Prix. For 1954, the Formula One championship had shifted back to F1 qualifications, and as a result most of the surviving 500 F2 cars were sent back to Ferrari and upgraded to 625 F1 specifications in order to participate in the various F1 events; such was the case for this car as part of its rebuild at Ferrari. Ecurie Francorchamps then ran the car at seven more races during 1954 before trading the car back to the factory for a 750 Monza. All of the surviving Scuderia Ferrari Works 500 F2 cars were re-numbered from their three-digit Works chassis numbers to four-digit even-numbered cars and resold to privateers in 1954 in 625 F1 specification. This car followed a similar path and, according to the research of Ferrari Historian Marcel Massini, after being renumbered as chassis number 0540, the 625 F1 was sold to the legendary Marquis Alfonso de Portago in early 1955. Portago campaigned 0540 in four Formula One events during 1955, at Turin, Pau, Bordeaux, and Silverstone, finishing as high as 8th place at the Pau Grand Prix in April. In late 1955 the Ferrari was purchased by the celebrated British engineer Donald Healey. Five years later he sold the 625 to fellow Briton Ian Sievewright, who campaigned the car once at the Shelsley Walsh national speed hillclimb in August 1964 before selling it in 1967 to the most prestigious Ferrari collection ever assembled, Pierre Bardinon’s Mas du Clos collection. After undergoing a partial restoration in the late 1960s, the car remained with Bardinon through the 1970s, and he sold the 625 in 1983 to Jacques Setton of Paris. Setton retained possession for 10 years before selling the car through Uwe Meissner’s Modena Motorsports to Pierre Fandel of Bitburg, Germany. Mr. Fandel then ran the Ferrari for three consecutive years (1994 through 1996) at the Meissner-Fandel meeting at the Nürburgring, the final year of which the car was piloted by former factory team driver Maurice Trintignant (who had won the 1955 Monaco Grand Prix in one of the sister cars). Acquired by Carlos Monteverde in the late 1990s, the 625 was sold in 1998 to David Vine of Plymouth, England, and he enjoyed the car at various vintage events including the Goodwood Festival of Speed, the Goodwood Revival, the Monaco historic races, and Coy’s Historic Race Festival. In December 2000 the rare Ferrari was purchased by a collector based in Cologne, Germany, and he stewarded the car through 21 years of fastidious care, contributing to its current impressive state. In April 2022 the 625 was inspected by Ferrari Classiche, and the inspection report on file indicates that the car is stamped with the correct chassis and engine numbers, and that the gearbox is the correct type. It is rare enough to have an opportunity to purchase one of these extraordinary early Ferrari Formula One cars, and a car of this level of originality should be at the top of the most discerning collectors' lists. Representing one of the most dominant periods in Scuderia Ferrari history, including Ferrari’s first Drivers’ World Championship, and claiming important ownership provenance and racing use by Jacques Swaters’ Ecurie Francorchamps and the legendary Marquis de Portago, this extremely rare 625 F1 would make a fabulous addition to any collection. It is eligible for the some of the most exclusive vintage racing events worldwide, and can expect a warm welcome at premiere concours d’elegance. It invites admirers to indulge in its brilliant engineering mandate, fostered by the genius of Aurelio Lampredi, and employed to such overwhelming success by the luminary Alberto Ascari. This vehicle will be offered at our forthcoming Monterey auction, 18-20 August. See the entire catalogue online and register to bid today. View This Car's Listing

2018 Aston Martin Vanquish Zagato Volante1276765

By Edward Jones –  August 16, 2022

RM Sotheby’s Monterey: 2018 Aston Martin Vanquish Zagato ...

Presented by RM Sotheby's. British luxury automaker Aston Martin and Italian coachbuilder Zagato first joined forces in the 1960 to produce the DB4GT Zagato racecar. The lightened, streamlined version of Aston Martin’s DB4 could have been the beginning of the end for the two, as demand was not as strong as either party had hoped. But history has been kind to the DB4GT Zagato, thanks in part to a strong competition debut in 1961, when Stirling Moss took third place at the Goodwood TT. The two parties took a lengthy break before rekindling their relationship in the mid-1980s with a special coachbuilt version of the muscular Aston Martin V8 Vantage. It would simultaneously pay homage to Aston Martin’s previous collaboration with Zagato and set the stage for the next 35 years. By the 21st century, Aston Martin and Zagato’s partnership was as strong as ever, with iterations of the DB7, Vanquish, V12 Vantage, and DBS. So, it was hardly a surprise when, at the Concorso d’Eleganza Villa d’Este, on the shores of Lake Como, Aston Martin took the wraps off its latest Vanquish Zagato in 2016. The car was first presented in concept form, and four production body styles would eventually follow the coupe—the racy speedster, the voluptuous shooting brake, and the evocative Volante convertible. The following year, Aston Martin chose the Pebble Beach Concours d’Elegance as the stage for the Vanquish Zagato Volante’s global debut. Presented alongside the production Vanquish Zagato coupe, the drop-top Volante shares the bladed rear-end treatment and other styling cues that link it to the Vulcan supercar, while the wing mirrors draw from the One-77 supercar. Carbon-fiber lower sills remind those who catch a glimpse of this special Aston Martin that it is more than rolling art. Where the Volante differs compared to the coupe is above its belt line. The twin cowls integrated into its rear deck merge into the leading edge of the trunk lid. Hidden underneath is a special convertible top specific to the Zagato Volante. Inside, Zagato worked directly with Aston Martin’s bespoke Q division to create special cabin treatments befitting the car’s unique positioning in the Vanquish lineup. The quilted Z-pattern detail on the Bridge of Weir leather upholstery adds a distinct touch. Zagato took conventional carbon-fiber trim and reworked it in a herringbone pattern for the dashboard and doors. Power came from a version of Aston Martin’s familiar and impressive 6.0-liter V12 engine uprated to produce nearly 600 horsepower. The standard Vanquish suspension setup was also revised for sharper driving dynamics. This Vanquish Zagato Volante is number 88 of 99 produced and one of only a dozen or so allocated to the U.S. market. Registered to its first owner in Downey, California, it shows only 1,052 miles on the odometer at cataloguing time. The Satin Predator Grey finish, from the Zagato-exclusive paint palate, contrasts beautifully with the striking Pearl White and Pure Black duotone leather interior. Factory options include satin paint, carbon-fiber paddle shifters, One-77 color-keyed steering wheel, carbon-fiber side strakes, black textured tailpipe finisher, and heated and ventilated front seats. Notable standard features include carbon ceramic brakes, a Bang and Olufsen audio system, Bridge of Weir leather, and front and rear cameras. Rare even among Aston Martin’s already exclusive standard production models, this well-optioned Vanquish Zagato Volante blends British performance and engineering with masterful Italian design, successfully evoking the iconic DB4GT Zagato while creating a new icon totally unique and modern. This vehicle will be offered at our forthcoming Monterey auction, 18-20 August. See the entire catalogue online and register to bid today. View This Car's Listing

1998 Ferrari F3001271476 1

By Edward Jones –  August 16, 2022

RM Sotheby’s Monterey: Schumacher 1998 Ferrari F300

Presented by RM Sotheby's. RETURN TO DOMINANCE The 1998 season saw Ferrari take the penultimate step towards its re-ascendancy in Formula One racing. In the years since its last Constructors’ Championship of 1979 and its last Drivers’ Championship of 1982, the Scuderia had at first struggled, then increasingly dedicated itself to re-establishing its onetime dominance in the sport. Key to this pursuit, of course, was hiring back-to-back championship driver Michael Schumacher away from Benetton in 1996. Schumacher would go on to take the Scuderia to unprecedented heights in the 2000s with a run of six consecutive winning seasons. In Schumacher’s initial years with Ferrari, the car itself still required some development to contend with rivals such as Williams and McLaren. Seeking to address these deficiencies, in 1997, Ferrari lured designer Rory Byrne out of retirement to replace the departed John Barnard. Though Byrne initially worked to develop Barnard’s 1996 F310 into the F310B for the 1997 season, rule changes following the season’s conclusion mandated an all-new car for 1998. https://vimeo.com/732158883 THE SCUDERIA FERRARI F300 On 7 January 1998, Ferrari invited over 800 journalists to Maranello to preview its new car, which was dubbed the F300. Michael Schumacher, co-driver Eddie Irvine, Ferrari President Luca di Montezemolo, and Scuderia Manager Jean Todt were all on hand to present the F300, which employed a new engine in the 3.0-liter Tipo 047. This impressive, 800-horsepower, 80-degree V-10 unit featured a max engine speed of 17,500 rpm and comprehensively redesigned engine internals. A novel ā€œperiscopeā€ exhaust system assembly designed by Willem Toet routed heat up and away from the F300’s seven-speed sequential gearbox; fresh air was similarly introduced through sidepod-mounted intakes and the aforementioned tower above the driver’s head. Another benefit to this design was the tighter ā€œnestingā€ of the exhaust components, which allowed an overall smaller chassis blueprint rear of the cockpit. In designing the F300, Rory Byrne had to contend with significant rule changes which greatly impacted the prevailing aerodynamic solutions for Formula One car design. Chief amongst these was the shortening of the car’s maximum width by nearly seven inches, the exclusion of racing slicks in favor of grooved tires, and a host of new rules regulating the construction and size of brake systems. Byrne’s resulting design featured several developmental alterations to the aerodynamics of the previous F310B, including more sculpted air intake panels that commenced several inches closer to the front of the car. Vertically mounted front shock absorbers made a notable return to the Scuderia’s entry, and independent torsion bar setups with push-rod accompaniment were fitted at each corner of the F300, along with high-carbon composite brake discs and 13-inch Bridgestone alloy wheels. The F300 would see continued development and fine-tuning during the course of the 1998 season. However, there can be absolutely no doubt among racing historians that the design’s efficient aerodynamics and well-balanced V-10 powerplant were the true foundation of the Scuderia’s incoming millennial domination of the Formula One world. UNDEFEATED WITH SCHUMACHER; CHASSIS 187 Chassis number 187 is believed to have been completed at Maranello sometime in early 1998 and is the seventh of just nine total F300 examples built for that year’s Formula One World Championship season. Rather importantly, it is the most successful of three race-winning F300 examples used by the team, and also the only F300 to have a perfect race record—winning all four of the Grands Prix it contested in the hands of Michael Schumacher. Correspondence with Ferrari’s Corsa Clienti Department have revealed the Scuderia’s records for this important, undefeated chassis. Though McLaren won the first two races of 1998, Ferrari bounced back with new Goodyear tires and some tweaks to the car to take the season’s third race at Argentina. A close competition ensued for the remainder of the season, thanks especially to the mid-season developments fitted to chassis 187. Chassis 187’s first official Grand Prix attendance came during the Monaco race weekend (23–24, May 1998), where it was brought along as the spare chassis, or ā€œT-car,ā€ but was unused. The subsequent Canadian Grand Prix at Montreal’s Circuit de Gilles Villeneuve saw chassis 187 assigned to Schumacher for the first time. Having qualified 3rd, Schumacher started the race behind the pair of McLaren-Mercedes MP4/13s driven by David Coulthard and Mika HƤkkinen. This Grand Prix proved to be one of attrition. Following two restarts and three additional safety car periods, which saw 12 of the field’s 22 entries retire prematurely, Schumacher and 187 claimed victory (and fastest lap) with a massive 16-second lead off the runner-up Benetton of Giancarlo Fisichella. The F300’s blistering pace was helped by Ferrari’s brilliant pit strategy, and this eventful race became the first of 187’s four race victories with Schumacher. The pair continued their successful relationship at the next two races in France and Britain. The French Grand Prix, held at the Circuit de Nevers Magny-Cours on 28 June, saw our subject lot starting from 2nd position on the grid, Schumacher having just narrowly split his McLaren-Mercedes rivals in a tight qualifying session. Schumacher and teammate Eddie Irvine got out an early 1-2 lead above the field, which remained intact until the checkered flag despite a very strong push from HƤkkinen, who finished 3rd. Amazingly, 187 carried Schumacher to the finish line a full 19 seconds before Irvine. During the British Grand Prix on 12 July, Schumacher once again proved the second-best qualifier come race time. But poor weather—the great equalizer—brought intermittent rain and retirements in equal measure. Schumacher responded to a late safety car period which put him within striking distance of the 1st-place HƤkkinen by pushing the pace. An alarmed HƤkkinen, in his attempt to keep his gap above the incoming Schumacher, evidently took his MP4/13 past its limit, spinning out on the still-wet track and ceding victory to this F300 and the incredible tactician seated in its cockpit. With these three consecutive, and crucial, victories, Scuderia Ferrari vaulted back up the standings and into serious contention against McLaren-Mercedes for both the Drivers’ and Constructors’ titles. ITALIAN GRAND PRIX AND REST OF SEASON During 187’s brief sabbatical from race use, Schumacher scored yet another victory in F300 chassis 188 at the Hungarian Grand Prix on 16 August 1998. Earlier results from the interceding Austrian and German Grand Prixes also included important, points-producing 3rd and 5th place finishes, respectively. Fresh off a heated and controversial DNF result at the rain-soaked Belgian Grand Prix two weeks previous, Schumacher entered the subsequent Italian Grand Prix on 13 September just seven points behind HƤkkinen for 1998 Drivers’ Championship. He qualified on pole, and promptly spoiled that privilege by stalling chassis 187 at the start. Building up from a mid-pack position, Schumacher battled up past Irvine and Jacques Villeneuve into 2nd behind HƤkkinen. Just like their combat at the British Grand Prix two months prior, Schumacher pushed from behind the ā€œFlying Finn,ā€ forcing him to make a strategic error. On Lap 35, HƤkkinen pitted for new tires (excessively worn trying to maintain a gap against 187’s fresher set), and Schumacher grabbed the lead during this 9.7-second intermission. Shortly thereafter, Irvine also passed HƤkkinen, and moved up into 2nd place. As Schumacher urged 187 across the finish line in front of the Monza grandstand packed with legions of rosso-clad tifosi, commentator Murray Walker famously commented, ā€œā€¦the World Championship gap was seven points; Michael Schumacher has obliterated it. It’s even-steven.ā€ With this victory at the Italian Grand Prix, Schumacher achieved his 33rd Formula One victory and tied HƤkkinen at 80 points for the Drivers’ title. The Constructors’ title was similarly drawn back into reach by this 1-2 finish, with Scuderia Ferrari now just 10 points shy of McLaren-Mercedes in that respect. Despite Schumacher’s admirable four-win stand with this remarkably dialed-in F300, a DNF during the season’s last race at Suzuka on 1 November 1998 (in chassis 189) resulted in Ferrari just narrowly finishing 2nd to McLaren in both the Drivers’ and Constructors’ Championships. However, the team’s six victories (Argentina, Canada, France, Great Britain, Hungary, and Italy) and resulting 133 points were still record-breaking performances to that point in the long, illustrious history of the Scuderia. Later in the season, chassis 187 was brought along to the Grand Prix weekends at Luxembourg and Suzuka, but Ferrari reports that it remained unused during those events. Despite the seeming setback suffered in 1998, the lessons learned propelled the Scuderia to the Constructors’ Championship the following season in 1999, thereby beginning its historic run of consecutive winning seasons, with Schumacher only losing the Drivers’ title because of a broken leg that forced him to miss several races. His return in 2000 marked the beginning of five consecutive Drivers’ Championships and the continuation of Ferrari’s still-unequalled run of six consecutive Constructors’ Championships. CHASSIS 187 SINCE 1998 The Scuderia retained chassis 187 until September 1999, when it was sold directly, and privately, to the previous owner (along with a small package of spares) in the same race-used condition in which it remains today. In their 23 years of custodianship, chassis 187 has been treated as a closely held and entirely preserved specimen of Formula One history. It has remained shielded from the public during this time, has never been restored or altered from its as-raced condition, and is now publicly offered for sale (and viewing) for the first time in its history. Eminently rare and forever tied to one of racing’s all-time greatest legends, the extraordinary Michael Schumacher, 187 is without a doubt one of the most significant Ferrari F1 cars extant, being the only undefeated chassis to run at least three races. It offers long-term appreciation as the immediate antecedent of one of Formula One racing’s greatest championship runs, and it can also be enjoyed firsthand as a breathtaking demonstration of the amazing technical specifications and unbridled power of a genuine late-1990s Ferrari F1 car. This vehicle will be offered at our forthcoming Monterey auction, 18-20 August. See the entire catalogue online and register to bid today. View This Car's Listing

1998 McLaren F11281683

By Edward Jones –  August 15, 2022

Sotheby’s Sealed: 1998 McLaren F1

Presented by RM Sotheby's. For nearly thirty years, the McLaren F1 has remained the fastest ever naturally aspirated car and has earned its status as an automotive legend. Born of a company steeped in motorsport pedigree yet one which had never built a production road car, the F1 was designed to be the greatest road-going automobile ever built, regardless of cost. Through relentless attention to detail and revolutionary design processes, McLaren created a technological tour de force and the F1 truly took the industry by storm. Not only would it achieve all of the lofty goals set by its manufacturers, McLaren went one step further and somewhat reluctantly took the car racing, only for it to win the 24 Hours of Le Mans outright in 1995, the car’s first outing at the fabled event. This was a truly astonishing accomplishment when considering that the F1 was never designed with racing in mind. It would have been entirely possible to drive the McLaren F1 from the UK to Le Mans, race, win the race overall, and then drive the car home. In modern motorsport, such a feat will never be possible again. Many argue that McLaren’s F1 is the greatest car of the 20th century, a bold claim but a justifiable one considering this car’s impact on the industry and its success in motorsport. With changing demographics in the collector car industry, the McLaren F1 is arguably on a path toward the vaunted heights of other iconic cars such as Ferrari’s 250 GTO and Alfa’s 8C 2900 in terms of desirability and value. When considered together, these three cars are a trifecta with each representing, within its own generation, the very best of design and performance. The 8C 2900 and 250 GTO have sat at the very pinnacle of collecting for decades, and the McLaren F1 can be considered worthy of inclusion within this exclusive club, making them the ā€˜Big Three’, with ownership of all three signifying their respective owner as one of the world’s top car collectors. As the automotive industry marches towards electrification, the F1 will be seen as a watershed moment in the history of the performance automobile, and an automobile that many designers and engineers have looked to for inspiration ever since its introduction. Elon Musk once tweeted: when my 1st company got bought, I had to decide between buying a house in Palo Alto or a McLaren F1 (best car ever imo). Was no contest. I bought F1 & a small condo that was much cheaper than the car. New Tesla Roadster will exceed all gas sports cars in every wayā€¦ā€. Even though the new Tesla Roadster has yet to enter production, it’s clear that his F1 would have had a profound affect on Musk, and therefore Tesla. At the time, the McLaren F1’s technical innovations were nothing short of mesmerizing, and most remain as mainstays in the supercars and hypercars produced today. The McLaren F1 was the first car built with active aerodynamics, gold to reflect heat in the engine bay, and a modem system so the car could communicate with technicians back at the factory to diagnose any problems remotely. No detail was considered unimportant, from the hand-drawn and inscribed owner’s manuals bespoke for each car, the six-disc CD player custom-designed by Kenwood to be the smallest and lightest unit of its kind, and featherlight Falcom tool kit, every aspect of the car was carefully considered. At a list price of Ā£634,500 upon its unveiling (over $1,000,000), this was the most expensive new car ever built. Delve into the details and in the opinion of all those who were lucky enough to purchase an F1 new, the cost was justified. Midway through the McLaren F1’s production and once some customer cars had started to accumulate mileage, it was discovered that the car had a slight Achilles heel in the form of its headlights. During night-time driving, output of the stock headlights was noticeably poor, not something that one wants to contend with at 240 mph. Looking to rectify this, the factory quickly came up with a solution for which the car presented here, chassis number 059, would be the testbed: the existing headlight internals were replaced with those from the BMW Z1 Roadster and the headlight housings themselves were made slightly shorter. Chassis number 059 is the only F1 to leave the factory with a unique headlight setup, making it a true one-off within the 64 road cars constructed and instantly recognizable to those in the know. McLaren would later improve headlight output in existing F1s by swapping the position of the low and high beam lamps, as well as replacing the low beam lamp with a different projector, all of which could be done within the original headlight housing, cementing this car’s status as unique amongst its peers. Students of motorsport history will be keenly aware of the auspicious nature of this car’s chassis number, 059, as it shares that number with the race number of the F1 that took overall victory at the 1995 24 Hours of Le Mans, further affirming the F1’s significance in automotive history. With this car having been completed and delivered in April 1998 as the 97th McLaren F1 built (making it amongst the very last), this fact would not have been lost on its first owner, who was no stranger to McLaren and the F1. That first owner was John Studholme of Boston, Lincolnshire in the UK. Studholme founded Dynamic Cassette International which manufactured typewriter cassettes and would later transition to producing printer inkjet cartridges. This was not Mr. Studholme’s first F1, as he traded chassis number 017 into McLaren upon his purchase of this car, nor would this be his last F1 as he also owned the F1 GTR 14R. Opting to finish his new F1 in Magnesium Silver over a black Alcantara and leather interior, chassis number 059 was first registered in the UK in Studholme’s name in May of 1998 and the car was immediately pressed into use with him. Service records on file show that seven months after delivery, the F1 was serviced by McLaren Special Operations and fitted with the High Downforce Kit as well as 18-inch wheels, which it still sports today. At the time 059’s first service was carried out, it had already been driven some 4,676 miles. Its service records make for fascinating reading as McLaren went to excruciating detail to ensure that the F1 would always perform at its very best in any circumstances. Nothing was overlooked in servicing, a regimen which included pre- and post-service testing on closed circuits, and even what CDs were present in the bespoke Kenwood six-disc CD changer were noted upon arrival at MSO (Queen, Elton John, and Fleetwood Mac were clearly favorites of Studholme). The car was serviced regularly during his ownership, with invoices on file for each service from 1998 to 2012, verifying the car’s present mileage of less than 16,400 miles as authentic. Importantly, these records show that while the car was used by Studholme as McLaren would have intended, the car was never abused and always returned to the factory to be properly looked after. The F1 was acquired by its second and current owner in late 2012 and was exported to the US under the show or display exemption to reside within his world-class collection, where it would spend some time sitting alongside yet another McLaren F1. In this time, it has accrued less than 300 miles on its odometer and remained largely in climate-controlled storage, the additional mileage a result of occasional exercise within storage. Of note, it is advised that 059 will require recommissioning and we welcome interested parties to contact us directly for further information on its overall status. These cars remain eminently usable as they are well-supported by McLaren Special Operations and owners are encouraged to use and enjoy their cars through use on tours, concours events, and general road use. It’s often easy to forget that unlike other supercars of its era, the F1 has a relatively small footprint and plenty of storage space in its panniers, making extended trips and day-to-day use a pleasure, a welcome bonus to the car’s otherworldly performance. In comparing the F1 to its contemporary rivals, Motor Sport magazine said that the F1 is ā€œa car created using the best brains and greatest technological resources…great because of the undoubted extravagance of its design but because of its sheer sense…it is not simply the fastest mid-engined supercar ever built, but the most practical.ā€ What more could one want from an automobile? Today, of the 106 F1s built, multiple F1s reside alongside one (or more) of their peers in large collections, making the true number of current F1 owners far fewer than 100, as illustrated in this example’s ownership history. Acquiring this F1 would allow one to join that exclusive club of owners and drivers, achieving something that millions of enthusiasts can only dream of but few, perhaps only a few hundred people, have ever achieved. Having not been seen publicly for the last decade in its current ownership, this represents a remarkable opportunity to acquire a unique and significant F1. Learn more online and contact RM Sotheby's to place your sealed bid. View This Car's Listing

1955 Mercedes Benz 300 SL Alloy Gullwing1279720

By Edward Jones –  August 15, 2022

RM Sotheby’s Monterey: 1955 Mercedes-Benz 300 SL Alloy Gu...

Presented by RM Sotheby's. ā€œThe best way to predict the future is to create it.ā€ - Alan Kay (born 1940), Computer Scientist In 1954, decades of incremental technological development, design, and success on the racetrack by Mercedes-Benz—inventor of the automobile and the dominant brand in automotive innovation—culminated with the launch of the most iconic car of all time, the 300 SL ā€œGullwing.ā€ Instantly changing the game, it shifted the paradigm in automotive design and performance forever. After names such as Stirling Moss and Juan Manuel Fangio, racing heroes indelibly etched into the automotive history books, had achieved unprecedented success in competition with the 300 SLR (W196S), Rudolf Uhlenhaut’s engineering brilliance saw these pure racecars take production form in the 300 SL ā€œGullwingā€ Coupe of 1954. The 300 SL was a fully road-legal production car, yes, but it was also so much more than that: Beneath its shapely skin was an Uhlenhaut-designed, racing-style tubular chassis, and its styling fundamentals would be closely mirrored in the gullwinged 300 SLR ā€œUhlenhaut Coupe,ā€ which recently became the most valuable car in history after a $150 million RM Sotheby’s sale. As the fastest production car in the world upon its debut, the 300 SL clearly had Silver Arrow dominance in its DNA. In sum, the Gullwing was an exquisite reflection of Mercedes-Benz’s position at the pinnacle of the automotive space in the mid-1950s, exceeding all that Ferrari, Jaguar, Alfa Romeo, and Aston Martin could throw at them. More than 60 years later, it is for good reason that ā€œGullwingā€ā€™ is a name that resonates with everyone, not simply car collectors. It transcends generations, connects old with new, and is both classic and sporty. It can be found in lyrics of hip-hop songs, Hollywood cinema, and even Andy Warhol pop-culture contemporary art. DeLorean’s futuristic car pulled the Gullwing doors in the 1980s—as did Tesla in the 2020s with their Model X. All serves as recognition of the incredible, outsized impact of the Gullwing, a car that was only ever owned by the fortunate few. BRED FOR COMPETITION In the 1950s, as in the modern era, Mercedes-Benz understood that its clients valued exclusivity, so they limited Gullwing production to 1,371 standard cars. For dedicated racers, as well as those sophisticated enthusiasts who wanted the almost unattainable, the factory minted an additional 29 competition-bred special-order cars with a lightweight alloy body, a more powerful engine, and other bespoke options. These were the 300 SL Alloy Gullwings: The 300 SL variants most directly linked to the world-beating 300 SLRs, and cars that—even in comparison to their already desirable steel-bodied counterparts—have long been the ultimate prizes for the world’s top collectors. Distinctive in many ways from their standard steel-bodied brethren, these incredibly rare and historically significant Alloy coupes thrived at fulfilling the purpose for which they were built. All the most important race victories achieved by the 300 SL were, in fact, secured by one of these lightweight competition versions of the model (in addition to ā€œsecretā€ works entries and prototypes). Works-supported drivers secured no fewer than 50 important victories in sports car races across Europe and North America between 1954 and 1957. Notable triumphs include the Nürburgring 1000 KM, Tour d’Europe, Mille Miglia, Coppa d’Oro, Acropolis Rally, and LiĆØge–Rome–LiĆØge (as well as multiple SCCA and European Rally championships). CHASSIS NUMBER 5500786 This rare 300 SL Alloy example was ordered new by Rene Wasserman, an industrialist and sports car enthusiast living in Basel, Switzerland. Research confirms that it is the 21st of those 24 alloy-bodied cars scheduled for production during the 1955 calendar year (although it was actually completed before car number 20). The car’s factory build sheet, a copy of which is on file, notes that Wasserman ordered his new alloy Gullwing with a plethora of special options, including special high-gloss white paint (DB 50), a red leather interior (1079), two-pieces of matching luggage, sports suspension, sealed-beam headlights with separate parking lights, 3.64 ratio rear axle, Rudge wheels and instruments in English, and the Sonderteile (ā€œspecial partsā€) engine with an impressive 215-horsepower output—surely making it one of the most well-specified Gullwings built. The car was completed on 5 October 1955, and rather than having it delivered to Switzerland, Wasserman picked up the car himself in late November and drove his new 300 SL back home. While it is not known when Wasserman sold the car, by the early 1960s it had been exported to the United States, where its second owner was Jerome Seavey of Chicago, Illinois, followed by John K. Scattergood III, a principal at Blenheim Motors, located in Upper Darby, Pennsylvania. THE SENATOR’S GULLWING This 300 SL remained in Pennsylvania with its next owner, Keystone State politician and enthusiast Senator Theodore Newell Wood. Along with representing the 20th District of Luzerne, Susquehanna, Pike, Wayne, and Wyoming counties in the Pennsylvania State Senate, Senator Wood enjoyed sports car racing in his spare time and served as the president of the Hill Climb Association. He also founded the Brynfan Tyddyn Road Races, which were held from 1952 to 1956, with the last year featuring Carroll Shelby as a driver. The SCCA even gave Senator Wood a free lifetime membership for his efforts in sponsorship and participation in racing in the Northeast. After passing through the hands of Bill Kontes and Joe Marchetti, the 300 SL was acquired by Leslie Barth in 1983. Barth kept the car until 1989. In its next ownership, with Swedish businessman and collector Hans Thulin, it was consigned to Kienle Automobiltechnik in Stuttgart, Germany. One of the world’s foremost facilities, Kienle is known for their restorations of Mercedes-Benzes, and 300 SLs in particular. The car was sold to a German collector, who in turn commissioned Kienle to perform a full restoration. Notably, damage to alloy-bodied 300 SLs is remarkably common, as the aluminum is notoriously thin and can quite literally bend under the pressure of an ill-placed hand. Furthermore, the bodies are known to deteriorate at the mounting points, where aluminum meets steel. As a result, almost all lightweight examples have been reskinned or repaired at some point, and on this particular car, any parts of the body that were irreparable were replaced. Upon completion, the car was repainted in traditional Mercedes-Benz Silver-Grey Metallic (DB 180) and retrimmed in its original interior color of red leather (1079). As is to be expected, the quality of the workmanship is absolutely superb, with the tremendous attention to mechanical detail and factory-correctness befitting a Kienle restoration. After passing through a collector in Switzerland, the car was acquired by its current custodian. The Gullwing has been preserved in immaculate condition ever since, with its odometer displaying 2,607 kilometers (~1,620 miles) at time of cataloguing, presumably accrued since Kienle’s restoration. As a result of its limited road use, a recent inspection indicates that to bring the car back to its peak performance level, a light mechanical servicing would be in order. The inspection further revealed the car retains its numbers-matching chassis, engine, gearbox, rear axle, steering box, and front axles. Undeniably exclusive, this spectacular 300 SL features all of the highly desirable options and accessories one would want on an Alloy Gullwing, including the more powerful Sonderteile engine, sports suspension, Rudge knock-off wheels, special-order upholstery, and a two-piece luggage set executed in matching red leather. The 300 SLRs have long been regarded by the collector community as being the world’s most valuable cars. This was proved to be true in May 2022 when RM Sotheby’s sold the 300 SLR ā€œUhlenhaut Coupeā€ for nearly $150 million. As a special production counterpart, the 300 SL Alloy Gullwing represents the ā€œholy grailā€ of all Gullwings—and as one of only 29 cars built, this example will instantly become the centerpiece of any truly great collection. This vehicle will be offered at our forthcoming Monterey auction, 18-20 August. See the entire catalogue online and register to bid today. View This Car's Listing

1967 Ferrari 275 GTB 4 by Scaglietti1278447

By Edward Jones –  August 14, 2022

RM Sotheby’s Monterey: 1967 Ferrari 275 GTB/4 by Scaglietti

Presented by RM Sotheby's. THE PERFECTION OF A DREAM At the Paris Motor Show in October 1966, Ferrari introduced an upgraded version of the 275 GTB that had debuted two years earlier. In most respects, the new car was nearly identical to its predecessor, as it also employed the long-nose body style that had been adopted later in the original 275’s production run, which prevented front lift at speed. The major difference in the new car was under the hood, where an upgraded version of Gioacchino Colombo’s short-block, 3.3-liter V-12 engine (now dubbed the Tipo 226) was fitted with four overhead camshafts; this was the first appearance of such valve actuation in a production Ferrari road car. A slightly modified hood with a raised center section was added to the Scaglietti bodywork to accommodate the taller engine profile. Equipped with dry-sump lubrication and six Weber 40 DCN/9 carburetors, the new engine developed 20 more horsepower than its predecessor, giving the nimble 275 chassis an added jolt of performance. The GTB/4 was also standard-equipped with a revised arrangement of the driveshaft in a solid torque tube, effectively eliminating vibration issues that often plagued the earlier variants. The new four-cam 275 Berlinetta was Maranello’s most dynamic road car yet, and it would forever be remembered as the last of the classic, vintage V-12 front-engine models; the forthcoming 365 GTB/4 would feature completely different aesthetics, marking a transition to 1970s styling. Only 330 examples of the 275 GTB/4 were produced before the model was discontinued in 1968, adding a degree of rarity to the revered Ferrari, as well. ALWAYS BET ON BLACK Featuring a particularly rare color combination and retaining its matching-numbers V-12 engine, this impressive four-cam 275 continues to benefit from a very well-maintained older restoration, resulting in one of the most stirring examples of the celebrated model to be publicly offered in some time. According to the research of marque expert Marcel Massini, chassis number 09425 was issued a certificate of origin in January 1967, specified as a European-market example with instruments in kilometers, and equipped with a full leather interior including headrests. Importantly, this car is one of only six examples that were cosmetically finished from new in Nero paint over a Nero interior, further distinguishing the handsome berlinetta. After being distributed to the official marque dealer Veicoli e Commercio Automobili Roma, the Ferrari was purchased new by a real estate company in Rome called Immobiliare Via Fleming S.p.A. Massini’s records indicate the 275 was serviced at the Ferrari Factory Assistenza Clienti in Modena in May 1967, and in October 1970 the real estate company sold the car to its second owner, Rome resident Nello Belluci. Circa 1980 the GTB/4 was exported from Italy to the United States, and by 1987 the car passed into the ownership of Howard De Haven of Tulsa, Oklahoma, the owner of Rennsport Werkstatt Limited. Mr. De Haven offered the well-kept Berlinetta for sale in 1990, still in its original black/black color combination, and it was soon treated to a comprehensive restoration, with David Carte’s respected Classic and Sports Cars responsible for refinishing the coachwork and retrimming the interior while Michael Sheehan’s European Auto conducting refurbishment of the drivetrain and chassis. Offered from the purview of the respected collector Chris Cox in 1995, the Ferrari was purchased by Bud Sherrill of Hickory, North Carolina. The car subsequently passed through a couple further local North Carolina owners and was presented at the 1996 Cavallino Classic, winning a 2nd in class award. In February 1997 the 275 GTB/4 was sold to Ed Martin, the stepson of the well-known North Carolina-based Ferrari collector Norman Silver. In January 1998 the GTB/4 was again presented at the Cavallino Classic, and at the end of the year the car was acquired by Steve MacDonald of Woodinville, Washington. Approximately four years later the 275 was sold to the consignor, a respected collector who has meticulously maintained the restoration while only very sparingly driving the car. This has resulted in a very well-preserved example that is ideal for display. A 275 four-cam is one of the most popular Ferrari road cars of all time, bearing a seminal design that pairs well with any style of collection. Exhilarating to drive and beguiling to behold, the model is without exaggeration the triumphant zenith of Maranello’s celebrated front-engine grand touring tradition. Retaining its matching-numbers engine, chassis number 09425 is desirably equipped with the preferred rigid torque tube driveshaft, and unusually finished in the uber-rare and extremely desirable color combination of black over black, combining to offer a striking example that would make a fantastic addition to any stable. The next caretaker can continue to preserve the well-maintained restoration or opt to steward the Ferrari through a significant freshening, after which the car would make an ideal entrant at touring events, regional concours d’elegance, or FCA gatherings. In any event, this elegant and distinctively finished 275 offers continued enjoyment as one of the more unusual and finely preserved examples of Maranello’s beloved Berlinetta, checking all the boxes for collectors in search of a strongly maintained and spectacular 275 GTB/4. This vehicle will be offered at our forthcoming Monterey auction, 18-20 August. See the entire catalogue online and register to bid today. View This Car's Listing

2021 Ferrari F8 Spider 549950 464279558

By Emet Evjen –  August 13, 2022

The Best Spec'd Supercars You Can Buy Today

There are tons of supercars out there, but the perfect spec can make specific examples even better. Below, we've put together a list of what we think are the ten best spec'd supercars for sale right now. Scroll down below to see them for yourself. 2021Ā Ferrari F8 Spider View Listing 2022Ā McLaren 720S Spider View Listing 2019Ā Aston Martin Vanquish Zagato Shooting Brake View Listing 2021Ā Rolls-Royce Cullinan View Listing 2022Ā Ferrari F8 Spider View Listing 2017Ā Ferrari F12tdf View Listing 2022Ā McLaren GT View Listing 2017Ā Rolls-Royce Dawn View Listing 1988Ā Porsche 959 Reimagined by Canepa View Listing 2016Ā Ferrari 488 GTB View Listing SEE ALL WILD Supercars FOR SALE

1958 Ferrari 250 GT Cabriolet Series I by Pinin Farina1278574

By Edward Jones –  August 13, 2022

RM Sotheby’s Monterey: 1958 Ferrari 250 GT Cabriolet Seri...

Presented by RM Sotheby's. AMERICA THE BEAUTIFUL The Pinin Farina-bodied cabriolet that Ferrari introduced at the Geneva Motor Show in March 1957 was not only a triumph of design, with its elegant rear haunches, covered headlamps, and long centrally ventilated bonnet, but it was also the car that marked an auspicious milestone in Maranello history as the company’s first series-produced open-top model. While the first two examples were essentially prototypes that visibly varied, sometimes referred to as the Pinin Farina Spiders, the next 38 cars were generally more uniform in design with several different specific variations. However, despite being the first series-built Ferrari convertible, many experts still consider the Series I Cabriolets to be virtual one-offs, as they were constructed in Pinin Farina’s custom shop rather than on the coachbuilder’s factory floor. Featuring a myriad of customized trim details and differing interior amenities, these cars varied significantly enough from example to example to support the idea that each one was a special bespoke grand touring machine. In total, only 40 examples of the first-series Pinin Farina Cabriolet were built before the model gave way to a mid-1959 redesign that was intended to further differentiate the Cabriolet from the California Spider. Shortly before the brief run of first-series Cabriolets came to end, the cars benefited from the introduction of a stronger and much stiffer chassis that simultaneously came into use with the competition 250 GT Tour de France berlinetta. These new chassis were also utilized on the 250 GT LWB California Spider. Ever a work in development, Ferrari’s V-12 road car chassis was now dubbed the Tipo 508D, succeeding the 508B and 508C. With a competition derived chassis and the ever-formidable Tipo 128C ā€œColomboā€ short-block V-12, the first-series cabriolets were not only beautiful to behold, but were capable of exhilarating road performance as well, representing the pinnacle of open-top grand touring in the late 1950s. COUNT VOLPI’S CABRIOLET Boasting a very desirable configuration of features, this exquisite Pinin Farina Cabriolet is notable for initially being owned by one of Ferrari’s most famous preferred clients. According to the research of marque expert Marcel Massini, chassis number 0963 GT is the 30th car produced. Dispatched to Pinin Farina for coachwork in May 1958, the 250 GT was built in the most desirable configuration (featuring covered headlamps, chrome 410 Superamerica-style side-vents, and bumperettes), and it was finished in Nero Tropicale IVI paint over an interior of Rosso VM 3171 Connolly leather, the only example of five built in this most desirable specification to be ordered new in black. Issued a certificate of origin in August 1958, the Ferrari was first sold to Count Giovanni Volpi di Misurata, the well-known Maranello client and privateer racing driver who headed the Scuderia Serenissima di Venezia, and was later a founding principal in the ATS marque. The cabriolet was one of the earlier Ferraris to be acquired by Volpi, commencing a distinguished list that would include a 500 TRC, a 400 Superamerica, a 250 Testa Rossa, a 250 GT California Spider, a 250 LM, two 250 GTO examples, and several 250 GT SWBs. While enjoying special care in the Count’s burgeoning collection, this Series 1 cabriolet was lent to the factory for display at the Paris Salon in October 1958. Sometime during the early 1960s the Ferrari was exported to the United States and sold to George Smith of Malibu, California. In a not uncommon practice, the cabriolet’s engine was removed and sold in the summer of 1964 by the well-known Otto Zipper Motors in Los Angeles to David Love of Berkeley, California, who installed the unit in a 250 Testa Rossa (chassis number 0754 TR). A year later Love removed the engine and put it into storage. The 250 GT Cabriolet was acquired around this time by Jack Crawford of Long Beach, and he retained possession for over a decade before selling the car in November 1979 to Jim Riff of Barrington, Illinois. Riff set about a comprehensive two-year restoration that was conducted by Skip McCabe’s shop in Mundelein, Illinois, and the work included installing the engine and gearbox from chassis number 1119 GT. After the refurbishment was completed in 1982, the Ferrari was presented at the Italian Happening at Greenfield Village in Dearborn, Michigan, where it was photographed for Prancing Horse magazine. A year later the car was the subject of a full color feature in Prancing Horse, penned by the esteemed writer and marque expert Alan Boe. In July 1983, the 250 GT was exhibited at the FCA National Meeting and Concours d’Elegance at Elkhart Lake, Wisconsin, winning a class award. After an impressive 16-year period of ownership, the Ferrari was sold by Riff in December 1995 to a collector in Asia who has quietly amassed one of the world’s most impressive collections of significant sports cars. In June 1996, the car’s original engine was sourced from David Love, who had stored it for over 30 years, and the 250 GT was reunited with its matching-numbers powerplant. Two months later, 0963 GT was displayed at the FCA Annual Meeting at Watkins Glen, and shortly thereafter the car completed the Colorado Grand. Two years later Skip McCabe was retained to conduct a comprehensive restoration, with final assembly supervised by the respected Butch Dennison. Among other measures, the coachwork was refinished in black and the interior was re-trimmed with rosso leather, the original factory color combination. In 2008, engine number 0963 GT was treated to a complete rebuild by Ferrari expert Patrick Ottis, and three years later the cabriolet was displayed at the Blackhawk Museum in Danville, California. Still displaying the benefits of over 25 years of fastidious care within the consignor’s collection, this beautiful first-series Pinin Farina Cabriolet is faithfully presented in the factory color scheme, and it is currently undergoing certification by Ferrari Classiche. The consignor has commissioned the necessary work to finish the Ferrari Classiche certification, and the Red Book will be provided to the next owner upon final approval from Ferrari Classiche with all associated costs covered by the consignor. Claiming primary ownership by the famed Ferrari client and racing impresario Count Volpi, and finished in the most desirable configuration with covered headlamps, chrome side-vents, and bumperettes, this highly respected 250 GT would make a stupendous acquisition for any enthusiast of important early Ferraris. This rare cabriolet exudes luxurious character, and with its well-restored and capable drivetrain the car’s mechanical performance that will surely bring a smile to the face of any motoring connoisseur. This vehicle will be offered at our forthcoming Monterey auction, 18-20 August. See the entire catalogue online and register to bid today. View This Car's Listing

1954 Ferrari 375 America Vignale Cabriolet1275812

By Edward Jones –  August 12, 2022

RM Sotheby’s Monterey: 1954 Ferrari 375 America Vignale C...

Presented by RM Sotheby's. AMERICA THE BEAUTIFUL At the Paris Salon in October 1953, Ferrari introduced two new models intended to appeal to clients’ grand touring sensibilities, each positioned for a specific market. The 250 Europa was powered by a diminutive 3-liter version of the race-winning Lampredi competition engine, while the 375 America featured a detuned version of the monstrous 4,542-cubic-centimeter Lampredi motor from the 375 MM race car. The former car was essentially a brand-new model, one that paved the way to the standard production 250 GT that was soon to follow. Conversely, the 375 America was a replacement for the tepidly selling 342 America, and like its predecessor was conceived as a luxurious grand touring version of the concurrent Lampredi race car, though in this case the cars were assigned roadgoing odd-numbered chassis numbers. Both models were built on an extended 2,800-millimeter-wheelbase chassis whose running gear featured a four-speed gearbox with a multi-plate clutch, independent front suspension, and a live rear axle. While the Europa was designated with the chassis number suffix EU, the 375 America examples were stamped with an AL suffix, standing for America Lungo (in a nod to the elongated wheelbase). Just 22 examples of the 250 Europa were built before the model gave way to the shorter-wheelbase second-series Europa GT, while the 375 America was built in an even more sparing quantity. Just 10 examples were originally completed as 375 Americas, while two more cars that began life as 250 Europas were factory-converted early in their lives, including the feature lot. The latest 375 was available in an assortment of coachwork that ultimately included eight similarly styled coupes by Pinin Farina, three more by Vignale, and this car: the sole open example built, a Vignale-clothed alloy cabriolet. CHASSIS NUMBER 0353 AL Retaining its major matching-numbers components (as per a Ferrari Classiche inspection document), and boasting a short chain of well-documented ownership, this magnificent one-off cabriolet is one of the most sensational examples of Maranello’s 1950s open grand tourers. According to the research of marque expert Marcel Massini, this 375 America left the Factory finished in black paint over a black interior with a tan soft top. The cabriolet was clothed by Vignale in particularly elegant all-alloy coachwork that featured a rakish one-piece wraparound windscreen, a hood scoop, and five-gill fender vents with a sweeping bottom character line that extended through the rear fenders. The design was similar in nature to the Vignale coachwork mounted on chassis number 0359 GT, a 250 Europa GT sold to the well-known Ferrari client and Belgian royal Princess Liliane de Rethy, though 0353’s longer wheelbase allows the design to flourish with beautiful aesthetic flow. Factory equipped with a rare hard top that further distinguishes the Vignale profile, 0353 AL was sold directly from Ferrari to Mrs. Bianca Colizzi, daughter of famous Italian film director Giuseppe Colizzi, in December 1954. Shortly before Christmas 1954 the car was registered on Italian plates ā€œRoma 215282ā€. After only a year the cabriolet was reportedly in storage with a doctor, and in this state the car was spotted by Luigi Musso, the future Scuderia Ferrari factory driver. Musso mentioned the car to an acquaintance named Harry Chambers, an American employee of TWA who had recently opened the airline’s Milan division. Chambers would go on to enjoy a long career in the aerospace sector, being knighted by the Italian government in 1960 and eventually becoming the general manager of NASA’s Kennedy Space Center in Cape Canaveral, Florida. Mr. Chambers tracked down the Ferrari and made an offer, officially purchasing the car in October 1956. During nearly two years with the 375, Chambers spiritedly enjoyed it while feeding his passion for motorsports, and the car was photographed on at least one occasion while parked at the Monza circuit. In July 1958 Chambers sold the Ferrari to his friend and fellow TWA employee, flight dispatcher Joseph Fitch, who hailed from Los Angeles, California. By this point the coachwork had been refinished in a shade of gun-metal grey. Mr. Fitch enjoyed the 375 briefly in Italy before importing the car back to California in December 1958. Following a transport incident while the car was on its way to the United States—which required part of the body to be repainted anyway—Fitch had the coachwork refinished in dark blue, and the mechanicals were gradually rebuilt; Lampredi engines were notoriously difficult to service in the US at that time, with only a handful of mechanics understanding how to successfully reassemble them. After the refurbishment was completed in 1962, the 375 was Fitch’s pride and joy, being carefully garaged at his home in Southern California and frequently photographed. In 1969 he displayed the cabriolet at the Ferrari Owners Club meeting in Culver City, California, and in August 1972 the car won first in class at the Hollywood Bowl Concours d’Elegance. By April 1973, with an eye on retirement, Fitch began contemplating the end of his ownership of 0353 AL, even consulting with the Smithsonian Museum and the Cunningham Auto Museum about a potential donation. Ultimately, though, he chose to sell the uber-rare cabriolet, first placing an advertisement in Road & Track magazine, which printed photographs of the car. Fitch eventually found a buyer in fellow Ferrari enthusiast Wayne Golomb of Springfield, Illinois, who purchased the Ferrari in 1974. The 375 America was featured in several marque publications during Mr. Golomb’s ownership, and in 1980 he conducted a comprehensive restoration. After 21 years Golomb sold the Ferrari in 1995 to Illinois resident Dennis Machul, who enjoyed the cabriolet during a successful completion of the 1995 Colorado Grand. By 1998 the unique Vignale Cabriolet was sold to the consignor and, following a paint freshening in black with a reupholstered interior, the car has been carefully kept in climate-controlled storage ever since. Still accompanied by the rare factory hard top, this elegant Ferrari is an unusual open-bodied interpretation of the Lampredi-engined grand tourer, as one of just a few cars that occupy the developmental period between the 342 America and the forthcoming Superamerica. A true one-off, this car is powered by one of the three largest engines of any Ferrari cabriolet built during the 1950s. Recently submitted for Ferrari Classiche certification, 0353AL is confirmed to retain its matching-numbers drivetrain components and alloy coachwork. A report by Ferrari Classiche is available for review with an RM specialist, containing details on the relatively minor items required by the next owner in order to finish the certification process. This sensational Vignale-bodied Ferrari would make an ideal entrant at top-shelf concours d’elegance and driving tours worldwide, offering its next caretaker a completely unique and stirring example of the venerable 375 America. This vehicle will be offered at our forthcoming Monterey auction, 18-20 August. See the entire catalogue online and register to bid today. View This Car's Listing

Live Auctions