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A blue Callaway Corvette, worthy of a Petrolicious Film Friday feature, is parked on a gravel surface in front of a row of white garage doors.

By Kris Clewell –  October 17, 2025

Petrolicious Film Friday: The Sanctioned Madness Of The C...

Petrolicious, the creator of quality, original films and articles for classic car enthusiasts, has released its latest video, featuring Alex Leventhal’s mighty Wunderbar-Optioned Callaway Corvette Twin Turbo. Petrolicious celebrates the inventions, the personalities, and the aesthetics that ignite a collective lust for great automotive machines, and it seeks to inform, entertain, and inspire its community of aficionados and pique the interest of those who have been missing out. Today, Petrolicious takes up the story... If you ticked a certain box in 1987, your brand-new car didn’t go straight to the dealer. It rolled off the line, got loaded onto a truck, and vanished for a few weeks. Somewhere far from the factory, a man with a mustache and a vision tore it apart, stuffed two turbos into it, and sent it back, still covered by the factory warranty. That was the deal between General Motors and Reeves Callaway, the quiet engineer who convinced America’s biggest carmaker to hand over its flagship and let him make it faster. Callaway wasn’t a marketing guy. He was a craftsman disguised as an engineer, a racer who understood the poetry of precision. In his small Connecticut workshop, he built turbo systems that turned European cars into perfectly mannered monsters. His BMWs, Alfas, and Volkswagens didn’t just go quicker; they went smoother. Power and polish in equal measure. It was enough to catch Detroit’s attention. By the mid-1980s, Chevrolet needed an answer. The Corvette was competent, but not feared. Europe ruled the language of speed, and inside Chevrolet, the engineers were choked by paperwork and fear. The oil crises had beaten the fun out of the place. Risk was dead. Committees made decisions that engineers should have made. Callaway offered an escape route. He’d take their car, give it teeth, and send it back with manners. GM listened, and, against its own nature, said yes. From 1987 to 1991, if you ordered RPO B2K, your new car left Bowling Green, got trucked to Old Lyme, and returned weeks later reborn. Callaway’s crew bolted on twin turbos, intercoolers, and a web of polished plumbing that somehow worked like it had been designed there from the start. It came back still under warranty, but now capable of shredding Europe’s elite. “It’s a car that surprises you,” said owner Alex Leventhal. “It looks like a Corvette, but the way it builds power, it’s silk until it isn’t. You can tell it wasn’t designed by a committee.” The standard Callaway Twin Turbo was quick, smooth, and deceptively civilized. But for the lunatics, there was the Wunderbar Option. “That’s where it crosses into madness,” Alex said. “The boost hits like a second engine waking up, and the car stays completely composed while everything else goes blurry.” The Wunderbar cars were the high point. Tuned closer to 400 horsepower and 575 pound-feet of torque, they turned the polite Twin Turbo into something that could stalk the likes of the Ferrari F40 and Porsche 959. The comparison wasn’t hype. It was math. In an age when American performance was measured in quarter-miles, Callaway was speaking in top speed and sustained boost. The Wunderbar would cruise near 200 miles per hour on street tires, cold air blowing through the vents. It was absurd. A Corvette, a fiberglass car from Kentucky, hanging with Maranello’s best. It shouldn’t have been possible. The F40 was sacred—a million-dollar altar to violence and ego. The Callaway was its antithesis, born of pragmatism and patience, and it could still catch it on the straights. That kind of heresy didn’t fit the narrative. Relatively speaking only a few Callaways were built, and while an F40 now trades for millions, a pristine Twin Turbo might fetch a few hundred thousand. Same era, same power, same speed, different mythologies. Europe had romance. America had results. Early cars made 345 horsepower and 465 pound-feet of torque. The later Wunderbar-spec added bigger turbos, better intercooling, custom wastegate tuning, and fuel mapping that made the power come on like a tide instead of a punch. It changed the character without killing the charm. The real magic was how it behaved. It started clean, idled smooth, and handled traffic without complaint. It wasn’t brutal. It was balanced. “When you drive it, you get what Callaway was chasing,” Alex said. “It’s calm until you ask for chaos, and when it comes, it’s perfect. It feels like something built by a person who cared.” Other tuners went loud. Hennessey chased numbers. Lingenfelter chased trophies. AMG went corporate. Callaway went quiet, and his cars were faster for it. He was the outsider who made it inside and somehow stayed himself. When GM bought Lotus and birthed the ZR-1, the partnership ended. The moment passed. But what it represented hasn’t. It was the last time a major manufacturer handed its flagship to a man and said, “Show us what’s possible.” For Alex, that’s the whole reason his car matters. “It’s proof,” he said. “Proof that an American could match the best in the world, and that one guy with conviction could make the biggest company on earth believe in him.” He looked at the car sitting in the sun, the turbos cooling under the hood. “Driving it now feels like holding a piece of American audacity in your hands,” he said. “It’s a reminder of when courage could still fit inside a workshop.” Reeves Callaway died in 2023. But his cars still breathe. They’re more than fast—they’re evidence that craft once outran convention, and that sometimes, the smartest thing a corporation can do is trust the guy with the mustache and the crazy idea.

A blue Subaru 22B STi with the license plate "R2 KFW" is driving on a curved, paved road with greenery and a cloudy sky in the background, perfect for a Petrolicious Film Friday feature.

By Kris Clewell –  September 26, 2025

Petrolicious Film Friday: The Legend of the Subaru 22B ST...

Petrolicious, the creator of quality, original films and articles for classic car enthusiasts, has released this amazing video featuring Robert Jackson's stunningly-rare UK edition of the Subaru 22B STi. Petrolicious celebrates the inventions, the personalities, and the aesthetics that ignite a collective lust for great automotive machines, and it seeks to inform, entertain, and inspire its community of aficionados and pique the interest of those who have been missing out. " width="680"> Today, Petrolicious takes up the story... Rallying wasn’t dead, but it was on life support. A quiet blip in the world of motorsport, stripped of the fire that had made Group B both legendary and lethal. The spectacle was gone, kept alive by hardcore enthusiasts at its bedside. Then Subaru showed up in blue and gold, gravel spitting from its tires like a slingshot aimed at the crowd. Colin McRae, Richard Burns, Carlos Sainz, and a factory-blessed team from Banbury called Prodrive shocked the patient back to life. Rallying was loud again, and Subaru built a road car to prove it. The 22B. It was around then Robert Jackson first heard from Subaru UK. The letter that followed still raises the hair on the back of his neck. It confirmed the car’s scarcity and explained that just 16 would be officially imported as 22B STi Type UK. Type UK meant Robert wasn’t just buying another fast Japanese coupe through the grey market; Subaru themselves had sanctioned the cars for British roads, with odometers in miles and small but important tweaks like revised lighting, side markers, and immobilizers to meet UK regulations. To be one of those sixteen owners, you had to be chosen. The 22B existed because Subaru had done what seemed impossible after Group B’s collapse: it made rally a cultural force again. From 1995 through 1997, the Group A Impreza won three straight WRC manufacturers’ championships, driven not just by engineering but by the personalities behind the wheel. McRae’s fearless, sideways style made him a folk hero, Sainz brought pedigree, and Burns carried the promise of Britain’s next champion.  Together, with Prodrive’s polish, they turned Subaru from an also-ran into a cultural juggernaut and sent the Impreza surging into popularity well beyond rally stages. Colin McRae was sideways on TV commercials, Richard Burns was cutting his teeth, and the blue and gold livery became shorthand for speed. Subaru wasn’t just winning stages, it was rewriting what a rally car could mean to a generation that thought the party was over in ’86. To celebrate its 40th anniversary, and those three titles, Subaru built the 22B. At first glance, it looked like the Impreza from your neighbor’s driveway after a month on steroids. The arches were wide, muscular, and purposeful. The paint was a deeper shade of rally blue. Gold BBS wheels filled the swollen fenders. Under the hood sat the EJ22G, a hand-built 2.2-liter turbo flat-four with torque that hit harder than any WRX had before. Suspension was bespoke. Ratios in the gearbox were shorter. This wasn’t a styling package. It wasn’t the exact chassis McRae and Sainz threw down rally stages either, the works cars were obviously Prodrive-built gravel weapons, but the 22B carried their DNA. Subaru launched it in 1998, immediately after those three back-to-back championships, as a celebratory road car that looked and felt like the title winners. It was Subaru bottling its rally dominance and selling it in numbered form, just 424 in total. For Robert, the hook came at the NEC Motor Show. The color itself seemed so unique, slightly different to the World Rally car, but more beautiful. The lines of the car, everything about it just looked absolutely perfect. He wrote to Subaru UK. They wrote back and interviewed him, wanting to be sure the few cars they had went to the right hands.  The confirmation arrived in a letter: “Exclusive doesn’t even begin to describe what you are driving. Only 424 examples of the Impreza 22B STi will ever be produced worldwide, making this one of the rarest cars on the road.” When someone finally told him, “Mr. Jackson, you are one of the lucky 12 customers,” he could feel himself hyperventilating. In reality, while Subaru UK imported 16 Type UK cars in total, its likely only 12 were offered to individual buyers, with the remaining four kept for press and demonstration use. The day he collected it is burned into his memory. Sliding his hands over the Nardi wheel, easing the car out of the showroom, he realized this was no ordinary Impreza. Everything about it felt classy, exciting, powerful, full of quality. He fell in love even more from that first moment. That love wasn’t private. Owning one of the rarest cars in Britain meant notes under his wipers, invitations to clubs, strangers at Donington Park asking if the rumor was true, that yes, it really was a 22B. The car ended up featured in Japanese Performance magazine, his ownership documented as part of the Impreza’s growing legend. Two and a half decades later, Robert faced the reality that all rare cars do: time doesn’t care. A full restoration was needed. But the goal wasn’t to modify, to chase power figures, or to modernize. It was to preserve. He explained that he wanted to make sure that this legacy, this car that was going to be with him and then with somebody after him when he was no longer around, would be amazing. Every part would be restored to how it was from new. Like a new penny, like a piece of art. Driving it again, he says it still feels like that first day, tight, responsive, alive. The difference now is perspective. This car makes him different. He’s part of it. The car has made him shine brighter. Because it’s the car. It’s not him. It’s the car. That’s the 22B’s magic. It wasn’t built to dominate collectors’ auctions or to sit under a dust cover. It was built to remind the world that rally wasn’t dead. It was built to put Prodrive’s gravel-slinging championship cars in civilian hands, to make people like Robert hyperventilate at the thought of ownership. Rally’s golden age didn’t end with Group B’s funeral. It just paused until Subaru flew overcrest towards a 9-right into imminent glory.  The 22B was the exclamation point, a defiant reminder that motorsport’s most visceral theater still had something to say.

A classic Volvo 242 Turbo, reminiscent of its Group A Homologation days, with headlights on, parked on a gravel path against a backdrop of trees—a scene straight out of a Petrolicious story.

By Charles Bradley –  April 11, 2025

New Film Friday On Petrolicious: Volvo 242 Group A Homolo...

Petrolicious, the creator of quality, original films and articles for classic car enthusiasts, has released its latest video, featuring Dan Maly's Volvo 242 Group A homologation special. After a couple of years away, the Petrolicious website and YouTube Channel has been recently rebooted by duPont REGISTRY Group, and new films are now dropping every Friday. Petrolicious celebrates the inventions, the personalities, and the aesthetics that ignite a collective lust for great automotive machines, and it seeks to inform, entertain, and inspire its community of aficionados and pique the interest of those who have been missing out. Today, Petrolicious takes up Dan’s story... We name the things that matter. We’ve been naming the things that carry us for centuries. Ships were named to ensure safe passage, to give something intangible like fate a target to bless or curse. They are the first commonly recorded named objects because they were crucial to survival, commerce, and mythology. Horses were named because they were companions, often the only ones on long trails. Wagons, bicycles, locomotives, planes... if it moved and mattered, it got a name. Names give them a penchant for stories. Stories make them real. It gives them legacy. This Volvo is named Gertrude. Not because it's cute, or quirky, or "just a thing we do." It's named Gertrude because the man who built it, Dan Maly, needed to name it after someone who meant something. His grandmother. She had thirteen kids. She held the family together. She was tough, and full of grit.  " width="680"> Gertrude the car is a 1983 Volvo 242 Turbo Intercooler. One of around 500 homologation-spec cars Volvo built to satisfy FIA’s Group A requirements. Group A was FIA’s touring car formula that demanded manufacturers build road-going versions of their race cars – at least 500 of them – to compete. Volvo answered with the 242 Turbo. It looked like a box, but hit like a... brick. Backed by the Eggenberger Motorsport team, the Volvo 240 Turbo shocked the motorsport world in 1985 by winning the European Touring Car Championship outright. The car was driven by the likes of Thomas Lindström and Gianfranco Brancatelli, who consistently outpaced the BMW 635CSi and Alfa Romeo GTV6. That year, the 240 racked up six wins and multiple podiums, and clinched the title despite being up against much flashier and supposedly faster competition. It was, in every sense, the underdog. A brick with a grudge. And it left BMWs in its wake. In 1985, the motorsport press dubbed it the "car to beat." And they were right. Dan's car isn't bone stock. It's not a museum piece. It's a restomod. One he built in his garage with tools handed down from his father and his grandfather. When it came time to paint it, he kicked the Firebird out of the garage, hung plastic, and sprayed it himself. "I see the flaws in the paint," he says. "Others might see them too. That's fine. I love her because she's not perfect." Under the hood is the original B21FT block, the holy redblock. Cast iron. Overbuilt. Named for the red paint they wore from the factory. These engines are legends not because they made big power out of the box, but because they don't die when you throw a bunch of boost at them. Dan kept the block but for better head flow he gave it a new top end from a '97 940 Turbo. A 16T turbo, blue injectors, and a four-speed with overdrive keep it moving. It's hybridized, he says, "but it works." And it does. There's five years of his life in the car. And if you listen for the passion he has for the car, you can hear every single one of them in his tone. And Gertrude? It isn't just a name. It's a badge of honor. It's respect. We used to name cars more often. Back when you kept them long enough to trust them. Back when breakdowns didn't mean replacements. Back when you knew what was under the hood, not just what was due on the lease. But as cars became more disposable, more anonymous, the names went away. You don't name something you plan to flip. You name something you live with. Gertrude isn't only a car. She's a memory with a key. And she's probably going to outlast all of us. Images courtesy of Volvo Car Corporation

A red sports car with the "Koenig-Special" label proudly displayed on its hood, the C-62 Special is parked on a winding mountain road. Rugged rocky cliffs stand tall in the background, creating a scene fit for a Petrolicious feature.

By Charles Bradley –  March 28, 2025

New Film Friday On Petrolicious: C-62 Special

Petrolicious, the creator of quality, original films and articles for classic car enthusiasts, has released its latest video, featuring Gen Shibayama’s Koenig 962, a street car directly related to Porsche’s legendary Group C racer. After a couple of years away, the Petrolicious website and YouTube Channel has been recently rebooted by duPont REGISTRY Group, and new films are now dropping every Friday. Petrolicious celebrates the inventions, the personalities, and the aesthetics that ignite a collective lust for great automotive machines, and it seeks to inform, entertain, and inspire its community of aficionados and pique the interest of those who have been missing out. Today, Petrolicious takes up Gen’s story... The 962 wasn’t built to follow the leader, and it didn't really fit within the confines of the rules. But Porsche found ways to make it fit, barely. They didn’t meet the regulations, they worked around them. Group C may not have wanted the 962 and if they saw it coming, it was too late to rewrite the rule book. And by the time anyone figured out how dangerous it was, the thing had already won everything. Born from necessity after the 956 was banned in IMSA for its pedal box being ahead of the front axle, the 962 took shape as Porsche's workaround to keep competing on both sides of the Atlantic. It was never about innovation for innovation's sake. It was survival. A longer wheelbase and new safety compliance got it through the door in America, while it continued to dominate across the pond.  It was one car following (barely) two sets of rules. But it was still a prototype. Still a blunt-force win delivery system. Still one of the last truly dangerous race cars we’d ever see. Group B died in 1986, buried under its own violence. Group A came next, safer (boringish), slower (kinda boring), more civilized (pretty boring). The cars were undeniably cool, born from real street cars, but it just... wasn't... Group B.  Group C outlived it all briefly, but it was the last time manufacturers were allowed to build deadly weapons disguised as race cars. And when it all came crashing down in the early 90s, there were leftovers. Retired cars, wrecked tubs, race-worn spares. Some went to collectors. Some vanished. One of them, widely believed to be chassis CK6 02, ended up in Munich. While no definitive source ties the Japanese Koenig 962 street car directly to CK6 02, it's the strongest candidate based on race history, construction details, and its timeline. The car raced at Spa, Silverstone, Monza, and the Nurburgring before disappearing from the paddock and reappearing, improbably, with plates. Koenig was known for doing things that probably shouldn’t have been done. Twin-turbo Testarossas. Widebody SECs. Anything excessive and aggressive, they were into it. But turning a Porsche 962 into a road car? That was something else entirely. Koenig added just enough to get a plate on it. A different nose with pop-up headlights. A basic interior with seats and vents. A custom immobilizer, a power switch, and a fuel pump prime that had to run for thirty seconds before the car would even think about starting. It still had a 650 horsepower twin-turbo flat six. It still had its original race hardware underneath. It still wanted to assault you.  Eventually, the chassis ended up in Japan. In the hands of Gen Shibayama. A man who understood exactly what the car was, and what it demanded. “This car will kill you if you make a mistake,” he says. “But if you drive it the way it should be, it handles corners super well.” Gen had already tangled with the Porsche turbo myth. He wrecked a 930 in Tokyo years earlier, caught out by classic lift-off oversteer. It became personal. A mission. He worked his way through the air-cooled Porsche catalog until he landed on the most extreme of them all. “The Porsche 962 is the ultimate turbo Porsche. Therefore, I had to have it.” The car is barely a road car. You have to remove the steering wheel to climb inside. You start it in stages. Kill switch. Battery. Fuel pump. Ignition. The turbo lag is enormous. The boost is violent. Koenig only made three. Two survive. One lives with Gen in Japan, the other is hidden in a European collection. The third is lost to time, or the extreme secrecy of an unknown collector. The Koenig 962 was not a one-off fever dream. It was inevitable. It was the logical conclusion of what the 962 already was. A car that never should have been allowed to exist, finding a second life it never should have been allowed to live. A race car that beat the race rulebook once, and then beat the government's rulebook the second time around. Not as rebellion but almost as habit. It’s what the car was always built for.

By Charles Bradley –  March 21, 2025

New Film Friday On Petrolicious: Daytona Vice 

Petrolicious, the creator of quality, original films and articles for classic car enthusiasts, has released its latest video, featuring Camillo Mekacher-Vogel’s Ferrari 365 GTS/4, aka the legendary Daytona Spyder. After a couple of years away, the Petrolicious website and YouTube Channel has been recently rebooted by duPont REGISTRY Group, and new films are now dropping every Friday. Petrolicious celebrates the inventions, the personalities, and the aesthetics that ignite a collective lust for great automotive machines, and it seeks to inform, entertain, and inspire its community of aficionados and pique the interest of those who have been missing out. Today, Petrolicious takes up Camillo’s story... The Ferrari Daytona is one of the legends. For some, it is akin to an automotive sacred cow. It is a machine born from victory and rebellion. It’s from an era of excess, flair, and audacity that would never come again. A Ferrari Daytona Spyder, already steeped in myth, should feel like a portal back to the moment it first rolled onto the streets. But what happens when every inch of it is refreshed, repainted, and reimagined? That’s the battle at the heart of Camillo Mekacher-Vogel’s Ferrari Daytona Spyder. A Fly Yellow, one of one European-spec Daytona, delivered new to a royal family in the Middle East before vanishing into obscurity. When it resurfaced decades later, its fate teetered on a knife’s edge. The easy path, the one so many owners take, would have been a flawless by the book restoration. Every imperfection erased, every part refreshed to be better than new. But Camillo saw something else. This car didn’t need to be perfect. It needed to be real. So began the fool’s errand against the inevitable, time, a fight not to restore but to preserve.  “We really wanted to maintain every possible original component,” Camillo explained. “Even the smallest details, like the original dashboard, are becoming increasingly rare in a world where everything gets over-restored.” The safe option would have been just to replace any original component that was slightly blemished, but we wanted to keep the car as honest as possible. The judges at Cavallino understood that.” " width="680"> The battle lines were clear. The engine bay, instead of being refinished into a glossy, factory fresh display, was carefully cleaned piece by piece. If someone in fifty years wants to know what an original Ferrari engine looked like, there will be very few left to show them. The dashboard, typically one of the first casualties in a restoration, remained intact, with every fragile, factory flaw left untouched. And where others would have swapped out components for pristine replacements, Camillo and team chose the harder road, keeping what was there, even if it wasn’t perfect. The car’s revival took months of careful work, bouncing between continents, its original wheels flying back and forth across the Atlantic to be properly restored in Italy, while Camillo flew between Milan and Wisconsin, where Motion Products carefully pieced the Daytona back together. Time was against them. The plan was to unveil the car at Cavallino Classic, the most prestigious Ferrari concours in the world.  “We immediately had this dream of presenting it at Cavallino,” Camillo recalled, “but at the same time, you have to respect an event like that and do your very best to present the car properly. We knew it was a risk, but we also knew it was the right thing to do.”  Would they understand the point? Would they see the car not as flawed, but as honest? “People went wild over it,” Camillo recalled. “The fact that this car had been used, had been driven, had lived, it made it stand out even more among all the flawless restorations. It was a labor of love. We had the right people, the right vision, and the right car. Seeing it recognized that way, after all the effort we put into keeping it real, that was everything.” Camillo Mekacher-Vogel’s Daytona didn’t just win. It dominated: ·      Platinum Award, the concours equivalent of a heavyweight belt. The highest honor, certifying its authenticity and excellence. ·      Best in Class for Ferrari Spiders. Beating flawless, fully restored examples. ·      Gentlemen’s Choice, meaning some well-dressed guys with no socks just really, really liked it. A win not by technicality, but by sheer presence.

New Film Friday On Petrolicious: Lab Eleven’s Perfect Elixir 

By Charles Bradley –  March 07, 2025

New Film Friday On Petrolicious: Lab Eleven’s Perfect Eli...

Petrolicious, the creator of quality, original films and articles for classic car enthusiasts, has released its latest video, featuring Lab Eleven's backdated Porsche 993s that create the most beautiful Porsche 911 restomod machines on the market. After a couple of years away, the Petrolicious website and YouTube Channel has been recently rebooted by duPont REGISTRY Group, and new films are now dropping every Friday. Petrolicious celebrates the inventions, the personalities, and the aesthetics that ignite a collective lust for great automotive machines, and it seeks to inform, entertain, and inspire its community of aficionados and pique the interest of those who have been missing out. Today, Petrolicious takes up Lab Eleven’s story... “If a car sits too long, it starts to die.” That is the ethos at Lab Eleven. No over-polished baubles. No overbuilt tech experiments masquerading as classics. Just 911s built to be used, built to last, and built to keep showing up for its only job, to be driven. The restomod world has a habit of missing the point. Somewhere between the bespoke interiors and the carbon fiber everything, a lot of builders lost track of why people love these cars in the first place. The formula has gotten predictable. Strip a 911 down to its studs, load it up with more power than anyone will ever use, tweak the suspension until it stops feeling a bit bitey, and then call it an improvement. It isn’t. It is just progress for the sake of it, and progress does not always move things forward. Lab Eleven is not interested in better for the sake of automotive performance theater. They are interested in better for the sake of driving. Pino La Rosa and his daughter Milena run their shop in Milan the way you would expect from people who actually care about these cars. Every Lab Eleven build starts with an accident free 993 and gets stripped down. What happens next depends on the car and the owner, but the process is always the same. Make it sharper, stronger, and more usable without killing what makes it a 911. " width="680"> “We are not here to make a completely different car, we are here to make the best possible version of the car that already exists.” That means no unnecessary gimmicks. No touchscreens, no pointless tech, no desperate attempts to make an air cooled car feel like something that rolled off a production line yesterday.  “You should still feel the road, still hear the engine, still know what the car is doing beneath you.”  The engines are rebuilt in three stages. A 3.6, a 3.8, or a 4.0 liter pushing anywhere from 300 to 400 horsepower. It is more than stock but not excessive, just enough to make the car feel alive. This may turn things into a bit of a handful for the rear engined uninitiated, but never more than one. Some panels are swapped for aluminum or carbon fiber, but only when it improves balance and durability. There are no qualifying laps that reward weight savings, and Colin Chapman is not breathing down your neck as you roll out of your garage. The goal is not to shave grams off a control arm or hub. It is about balance. Inside, they stick to materials that belong, wool fabrics, houndstooth, and leather that looks and feels right. Somewhere along the way, the restomod scene evolved into a competition to build the most expensive cars and coffee accessory. Machines that flick their blinkers a few times before arriving at an asphalt prison, only to be tucked back into a temperature-controlled garage, polished with an overpriced orbital, and plugged into a twelve volt battery tender, the automotive equivalent of life support. Lab Eleven builds cars that need to be driven. Lab Eleven cars belong on alpine passes, winding back roads, and long stretches of open road where dirt and rock chips are part of the experience. A Porsche was never meant to be perfect. It was meant to be driven, to wear in, to collect the marks of use that prove it is alive, and when the time comes, you pass it on, imperfections and all.

New Film Friday On Petrolicious: Evolution of an Icon

By Charles Bradley –  February 14, 2025

New Film Friday On Petrolicious: Evolution of an Icon

Petrolicious, the creator of quality, original films and articles for classic car enthusiasts, has released its latest video, featuring automotive devotee Rahail Tariq, who’s taken the Datsun 240Z to another level. After a couple of years away, the Petrolicious website and YouTube Channel has been recently rebooted by duPont REGISTRY Group, and new films are now dropping every Friday. Petrolicious celebrates the inventions, the personalities, and the aesthetics that ignite a collective lust for great automotive machines, and it seeks to inform, entertain, and inspire its community of aficionados and pique the interest of those who have been missing out. Today, Petrolicious takes up Rahail’s story... The Datsun 240Z was never the problem. It was the solution. The answer to a world where European sports cars carried steep price tags and Japanese cars were still thought of as nothing more than basic transportation. For years, Japanese cars in America were what students drove to class, what families bought when they were new, when money was tight, or what commuters relied on when fuel prices spiked. They were appliances, used for economy, and durability. It’s easy to look back on them now as more than products of their time. But they weren’t. They filled parking lots at office buildings and grocery stores, racked up hundreds of thousands of miles on city roads, and lived out their lives as forgettable hand-me-downs, passed from one generation to the next until they rusted into the ground. They were not the cars enthusiasts dreamed about, not the machines people pinned on their walls or took out on Sunday after church for a little exercise. Today we love the quirky, endearing nature of the classic Japanese econobox, but back then? It was a tool.  The Z was one of the cars that changed everything. It was Japan’s bold declaration, a machine shaped by the same relentless craftsmanship and discipline that defined the country’s post-war industrial rise. It embodied the Japanese philosophy of kaizen, continuous improvement.  The Z was beautiful, with the long nose of a Ferrari, and an inline-six that, despite its modest origins (and with some SU carburetors installed), could sing when you need it to. In 1970, it was fast enough, with a chassis that felt nimble, eager, and alive in a way most Americans had never experienced in something that did not wear a European badge. It was still affordable, but it was no longer just transportation. It was undeniably a sports car. But time does not stand still. Roads get wider. And for better or worse, cars get faster, stop better, turn sharper, and expectations shift. The Z’s magic is still there, but modern traffic, modern brakes, and modern speed put it in a different context. It still thrives on momentum and chassis respect. But, time marches on. The engineers at Nissan did not create the perfect Z, they created the best one they could for the money, theirs, and yours. So, as is often the case as we make engine noises in our garage over winter, pontificating on what we can modify, and how things could be better. The question is not whether the Z is still great as it was, it is how much better could it be? For Rahail Tariq, the Z had been lurking in his subconscious, a shape that had stuck with him from flipping through magazine pages. When he finally got his first 240Z, his first classic car, it was white, with black sills and a set of 260Z wheels that he did not even know were incorrect at the time. He bought it online in 2005, not as an expert but as someone drawn to its presence and its silhouette. That car, with all its patina and imperfections, was the seed that eventually grew into MZR Roadsports. Rahail’s connection to cars ran deeper than just his own discoveries. His father, a technician in the 1970s, was always bringing home interesting machinery, M5s, Mini Coopers, Daimlers, even an E-Type Jaguar. Growing up around those cars, seeing the way his father worked on them, improved them, and understood them, gave him an appreciation for cars as something alive, something that could always be made better. The Z was just the first car where Rahail realized that he was the one who would have to push it forward. In the UK, where classic Japanese sports cars did not have the same deep-rooted restoration culture as Porsches or E-Types, Rahail found himself frustrated. Nobody was building the Z the way he envisioned it. No one was taking it to its logical next step, not just restoring but refining, improving. That search led him to Martin Ryland, a Datsun expert who eventually became his collaborator and helped shape the vision of MZR. Restomods are sometimes frowned upon, seen as tampering with an icon, but consider this. Given the opportunity, is it possible Nissan would have never left the Z as it was? If the company had continued refining it with an unlimited budget, what would it have looked like? A lighter chassis, a more rigid structure, and an engine with sharper response and a little more urgency. That is exactly what MZR is doing, finishing what the original engineers, given enough time, could have done, maybe even would have done, but did not. Their Evolution models, built with bespoke carbon-fiber bodywork, are not just about chasing numbers. Yes, the RB 3.4L DOHC straight-six delivers over 300 horsepower, and yes, the six-speed manual brings precision to every shift, but the real magic is in how it all comes together. It is a 240Z honed and distilled, shaped by the same kaizen philosophy that defined its creation, an ongoing pursuit of refinement, balance, and purpose. The 240Z never needed saving, it was never the problem after all. But it deserved to be honored, not just looked at through the lens of nostalgia. It was built to be driven, and MZR has made sure that it still begs to be.

New Film Friday On Petrolicious: A Maxi-Mum Turbocharged Adventure

By Charles Bradley –  February 07, 2025

New Film Friday On Petrolicious: A Maxi-Mum Turbocharged ...

Petrolicious, the creator of quality, original films and articles for classic car enthusiasts, has released its latest video, featuring automotive devotee Juan Carlos Fernandez who worked hard to restore the Group B rally legend of his dreams. After a couple of years away, the Petrolicious website and YouTube Channel has been recently rebooted by duPont REGISTRY Group, and new films are now dropping every Friday. Petrolicious celebrates the inventions, the personalities, and the aesthetics that ignite a collective lust for great automotive machines, and it seeks to inform, entertain, and inspire its community of aficionados and pique the interest of those who have been missing out. Today, Petrolicious takes up Juan’s story... It’s akin to landing a dream job you lied through your teeth to get. You walk in on day one, staring down a pile of responsibilities you aren’t remotely qualified for. The job? Managing a car with a 1.5-liter turbo engine running around 2 bar of boost mounted where the groceries used to go. No airbag, no abs, no training wheels. Just figure it out before you get fired or, in this case, sent backward through a guardrail. Your new boss, (who ignores OSHA and HR) the Renault R5 Maxi Turbo, expects results. Juan Carlos Fernandez knows what it’s like to start from nothing. In 1963, his family fled Cuba with an infant Juan in tow, leaving behind their home, their belongings, everything they had ever known. They landed in Puerto Rico with no roadmap, just the need to survive. His parents worked tirelessly to rebuild, instilling in him the kind of work ethic that doesn’t ask for shortcuts. By the time he was a teenager, cars had his full attention. His cousins were in the auto business, and he scraped together whatever he could to buy his first car, a $200 project. One car turned into two. Two turned into three. The hustle never stopped. If he needed more money, he worked harder. Decades later, that drive turned into Ferco Motors, the dealership he owns today.  A friend once told him the R5 was “so ugly it’s beautiful,” but to Juan, it was just beautiful. It had character, presence, and the kind of raw, unfiltered driving experience that modern cars have lost. It wasn’t built for straight-line speed or effortless performance, it was built to be driven hard, to demand something from the driver. And that’s exactly what drew him to it. The R5 is a product of Renault’s obsession with Group B, the golden era of rally racing where manufacturers built the most extreme machines they could get away with. The FIA required manufacturers to build a limited number of road-going versions to compete, and Renault’s answer was to take their humble economy hatch and reimagine it into something wild. At risk of boiling things down, and for the sake of brevity we’ll just say the engine was moved to the back, the body was widened, and the power was turned up. The result was the R5 Turbo.  That car made its competition debut in 1980 at the Tour de Corse, a rally known for its tight, twisting tarmac stages. French driver Jean Ragnotti piloted the car and, despite being up against much more developed machines, showed its potential. The real breakthrough came the following year when Ragnotti drove the R5 Turbo to an outright victory at the 1981 Monte Carlo Rally. It was undoubtedly good, but… was more possible?  Enter the R5 Maxi Turbo, the ultimate version, the final boss. It was built to compete with the Audi Quattro and the Peugeot 205 T16. Definitely a tough crowd. Renault brought in Bozian Racing, a French motorsport engineering firm known for squeezing every last drop of performance out of small-displacement engines. In this case, they pulled 350 horsepower out of Renault's 1.5L engine. They made the car stiffer and increased the work aerodynamics were doing.  It had some success in competition and proved its mettle on tarmac, but as all-wheel-drive rivals took over, its time on the dirt and in the spotlight faded.  Juan’s R5 wasn’t perfect when he bought it. It had been sitting, neglected, and the first drive was a disappointment. No boost, a failing clutch, just a reminder that even the greats need work, and time spares no one, and no thing. But with the right expertise, the right people, and a lot of effort, it came back to life, a worthy tribute to the Group B legend.  Juan Carlos Fernandez didn’t get here by taking the easy way. He came from nothing, worked for everything, and never asked for a shortcut. The R5 doesn’t give one either. It just wants you to show up for work.

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